{"id":4986,"date":"2015-07-18T15:38:17","date_gmt":"2015-07-18T07:38:17","guid":{"rendered":"https:\/\/www2.weiling-gallery.com\/gallery\/?post_type=portfolio&#038;p=4986"},"modified":"2015-07-31T15:00:17","modified_gmt":"2015-07-31T07:00:17","slug":"unusually-artistic-by-sushma-veera","status":"publish","type":"portfolio","link":"https:\/\/weiling-gallery.com\/gallery\/portfolio-item\/unusually-artistic-by-sushma-veera\/","title":{"rendered":"Unusually artistic by Sushma Veera"},"content":{"rendered":"<div id='artists-title'  class='avia-section av-av_section-142ff43b7600746a6e970fde5cf91c57 main_color avia-section-default avia-no-border-styling  avia-builder-el-0  avia-builder-el-no-sibling  avia-bg-style-scroll  container_wrap fullsize'  ><div class='container av-section-cont-open' ><main  role=\"main\" itemprop=\"mainContentOfPage\"  class='template-page content  av-content-full alpha units'><div class='post-entry post-entry-type-page post-entry-4986'><div class='entry-content-wrapper clearfix'>\n<div class='flex_column av-av_one_full-2a9015ff38129c418a3f2eafba3e9512 av_one_full  avia-builder-el-1  avia-builder-el-no-sibling  first flex_column_div '   ><section class=\"av_textblock_section \"  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock  '  style='font-size:14px; '  itemprop=\"text\" ><p><span style=\"font-family: open sans thin; font-size: 25px; line-height: 24px; letter-spacing: 1px; color: #333333;\">New Straits Times, 5 March 2011<br \/>\nUnusually artistic<br \/>\nby Sushma Veera<\/span><\/p>\n<div style=\"font-size: 14px; line-height: 24px; color: #666666; text-align: justify;\">\n<div id=\"attachment_4972\" style=\"width: 710px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/weiling-gallery.com\/gallery\/wp-content\/uploads\/2015\/07\/ta-4.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-4972\" class=\"wp-image-4972 size-full\" src=\"https:\/\/weiling-gallery.com\/gallery\/wp-content\/uploads\/2015\/07\/ta-4.jpg\" alt=\"Ivan Lam - Everything I've ever known, I'm giving back to you (2010) | Nippon paint and resin on canvas; 2 panels, 198cm x 244cm (each)\" width=\"700\" height=\"268\" srcset=\"https:\/\/weiling-gallery.com\/gallery\/wp-content\/uploads\/2015\/07\/ta-4.jpg 700w, https:\/\/weiling-gallery.com\/gallery\/wp-content\/uploads\/2015\/07\/ta-4-300x114.jpg 300w, https:\/\/weiling-gallery.com\/gallery\/wp-content\/uploads\/2015\/07\/ta-4-450x172.jpg 450w\" sizes=\"auto, (max-width: 700px) 100vw, 700px\" \/><\/a><p id=\"caption-attachment-4972\" class=\"wp-caption-text\">Everything I&#8217;ve ever known, I&#8217;m giving back to you<\/p><\/div><br \/>\n<div id=\"attachment_4970\" style=\"width: 710px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/weiling-gallery.com\/gallery\/wp-content\/uploads\/2015\/07\/ta-2.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-4970\" class=\"wp-image-4970 size-full\" src=\"https:\/\/weiling-gallery.com\/gallery\/wp-content\/uploads\/2015\/07\/ta-2.jpg\" alt=\"Ivan Lam - For a lark I will eat a crow (2010) | Nippon paint and resin on canvas; 2 panels, 198cm x 244cm (each panel)\" width=\"700\" height=\"435\" srcset=\"https:\/\/weiling-gallery.com\/gallery\/wp-content\/uploads\/2015\/07\/ta-2.jpg 700w, https:\/\/weiling-gallery.com\/gallery\/wp-content\/uploads\/2015\/07\/ta-2-300x186.jpg 300w, https:\/\/weiling-gallery.com\/gallery\/wp-content\/uploads\/2015\/07\/ta-2-450x279.jpg 450w\" sizes=\"auto, (max-width: 700px) 100vw, 700px\" \/><\/a><p id=\"caption-attachment-4970\" class=\"wp-caption-text\">For a lark I will eat a crow<\/p><\/div><br \/>\n<div id=\"attachment_4969\" style=\"width: 710px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/weiling-gallery.com\/gallery\/wp-content\/uploads\/2015\/07\/ta-1.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-4969\" class=\"wp-image-4969 size-full\" src=\"https:\/\/weiling-gallery.com\/gallery\/wp-content\/uploads\/2015\/07\/ta-1.jpg\" alt=\"Ivan Lam - I called but you were engaged (2010) | Nippon paint and resin on canvas; 2 panels, 198cm x 244cm (each)\" width=\"700\" height=\"435\" srcset=\"https:\/\/weiling-gallery.com\/gallery\/wp-content\/uploads\/2015\/07\/ta-1.jpg 700w, https:\/\/weiling-gallery.com\/gallery\/wp-content\/uploads\/2015\/07\/ta-1-300x186.jpg 300w, https:\/\/weiling-gallery.com\/gallery\/wp-content\/uploads\/2015\/07\/ta-1-450x279.jpg 450w\" sizes=\"auto, (max-width: 700px) 100vw, 700px\" \/><\/a><p id=\"caption-attachment-4969\" class=\"wp-caption-text\">I called but you were engaged<\/p><\/div>\n<p>Artist Ivan Lam uses water-based house paint in his works. He tells Sushma Veera why.\u00a0While most artists use oil and acrylics in their artwork, one man decided to try something different.<\/p>\n<p>One of the nation\u2019s leading contemporary artists, Ivan Lam says there are many benefits in using synthetic polymer paint, commonly used as house paint.<br \/>\nThe 36-year-old started using water-based Nippon paint seven years ago.<br \/>\nBut why house paint?<br \/>\nLam, who won the Philip Morris Art Award in 2003, explains: \u201cI have endless options (of house paint) to choose from. Besides, I don\u2019t have to mix my own colours anymore. Instead, I can walk into a paint shop and the machine will mix any colour I want.\u201d<\/p>\n<p>\u201cIf I run out of a particular colour, all I need to do is give the shop the code and the colour will be 99 per cent accurate as opposed to a 70 per cent accuracy when I mix it myself.\u201d<\/p>\n<p>Lam, who holds a Master\u2019s degree in contemporary art and design practice, says he settled for Nippon paint after trying out numerous brands.<\/p>\n<p>\u201cNippon paint not only gives the best coverage with its wide variety of colours but it is also consistent. The paint is also bacteria-free and has a unique scent.\u201d<\/p>\n<p>He adds that the colours are super vibrant and vivid. \u201cI work with the medium, not against it.\u201d<\/p>\n<p>Lam has showcased his works in numerous exhibitions. He is currently holding a solo exhibition, Together Alone, at Wei-Ling Gallery in Kuala Lumpur.<\/p>\n<p>The exhibition features five sets of artwork made up of two canvases with different pictures.<\/p>\n<p>\u201cIt\u2019s a singular approach towards a pluralistic vision. I\u2019m trying to match each image to another,\u201d says Lam, adding that one should look beyond the artwork to understand or interpret it.<\/p>\n<p>\u201cBasically, it is a play of text and images.<\/p>\n<p>\u201cFor example, in You Are Being Missed Dear, you are supposed to visually shoot the deer with the target but you will most likely miss it because the target is not the deer but beside it.<\/p>\n<p>\u201cEverything That I Have Ever Known I Am Giving It Back To You features planes and images. I used the same images some years back and I\u2019m using them for the last time. It reflects the departure of the old and the arrival of the new.\u201d<br \/>\nGallery director Lim Wei-Ling says Lam\u2019s work reflects the present time and generation.<\/p>\n<p>\u201cTogether Alone is an evolution of his previous exhibition called Panorama two years ago. It is a challenge to work on such a large format and having to carry the paint tins around.\u201d<\/p>\n<p>\u201cWhen you stand in front of his work, it is so big that you feel as if you are being enveloped by the artwork,\u201d adds Lim.<\/p>\n<p>Asked why there are only five sets, Lam says: \u201cIt seems to be the right number, especially since the pieces are not of the more regular sizes.<br \/>\nEach painting is 2.4m high and 4m long. But Lam has no qualms about working on such big pieces.<\/p>\n<p>\u201cI enjoy working on large scale canvases. It also gives me time to reflect on things.\u201d<\/p>\n<p>Lam, who has a studio in Cyberjaya, takes two months to complete a painting. He teaches drawing, painting and art history at a private college in the city.<br \/>\n\u201cMy job keeps me sane. There are only so many hours that you can paint.\u201d<\/p>\n<p><em>Together Alone is on at Wei-Ling Gallery, 8 Jalan Scott, Brickfields, Kuala Lumpur, from March 8 to 28. Viewing hours: Noon-7pm (Mon-Fri) and 10am-5pm (Sat). Free admission. Call 03-2260 1106\/07.<\/em><\/p>\n<\/div>\n<\/div><\/section><\/div>\n","protected":false},"excerpt":{"rendered":"New Straits Times, 5 March 2011 Unusually artistic by Sushma Veera Everything I've ever known, I'm giving back to you For a lark I will eat a crow I called but you were engaged Artist Ivan Lam uses water-based house paint in his works. He tells Sushma Veera why.\u00a0While most artists use oil and acrylics [...]","protected":false},"featured_media":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"ngg_post_thumbnail":0,"footnotes":""},"tags":[],"portfolio_entries":[17],"class_list":["post-4986","portfolio","type-portfolio","status-publish","hentry","portfolio_entries-news-2"],"_links":{"self":[{"href":"https:\/\/weiling-gallery.com\/gallery\/wp-json\/wp\/v2\/portfolio\/4986","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/weiling-gallery.com\/gallery\/wp-json\/wp\/v2\/portfolio"}],"about":[{"href":"https:\/\/weiling-gallery.com\/gallery\/wp-json\/wp\/v2\/types\/portfolio"}],"replies":[{"embeddable":true,"href":"https:\/\/weiling-gallery.com\/gallery\/wp-json\/wp\/v2\/comments?post=4986"}],"version-history":[{"count":0,"href":"https:\/\/weiling-gallery.com\/gallery\/wp-json\/wp\/v2\/portfolio\/4986\/revisions"}],"wp:attachment":[{"href":"https:\/\/weiling-gallery.com\/gallery\/wp-json\/wp\/v2\/media?parent=4986"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/weiling-gallery.com\/gallery\/wp-json\/wp\/v2\/tags?post=4986"},{"taxonomy":"portfolio_entries","embeddable":true,"href":"https:\/\/weiling-gallery.com\/gallery\/wp-json\/wp\/v2\/portfolio_entries?post=4986"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}